Did I ever mention that I'm a geek?
Well, of course I did.
On Saturday night, Brandy and I proved it once again by having date night at the symphony.
The evening began with a very nice dinner at Indigo, a cute little restaurant residing on a street in the Civic Center / Western Addition that you would never think could support such a place. Obviously, Indigo banks on its proximity to the Symphony, Opera and Ballet, as evidenced by its capacity crowd at 6 pm on Saturday night as well as its 1,000-point Open Table offers during the typically high-traffic 8 pm slots (after the Symphony has begun).
We brought with us a bottle of the 2004 Aubert "Lauren" Chardonnay, and it certainly lived up to both the hype and the price tag. This wine was a veritable baby, still coiled and tight, but with such a commanding concentration and presence that it was undeniably enjoyable. Rich, creamy, slightly tropical, with overtones of lemon curd and undercurrents of wet stone, all tied together by a firm acidity that kept the wine from falling into the overripe, over-oaked company of the world's Rombauers.
If you can get your hands on a bottle (and that's no small feat), I would highly recommend picking one up and sitting on it for five years. [Note: I typed this before I even looked up the link to the review. Nice to see that Robert and I agree on something.] :)
After our lovely dinner and wonderful wine experience, we walked to Davies in time for the pre-show talk. Most shows are preceded by an informative lecture, dubbed the Inside Music Talk, and this one was given by Associate Conductor James Gaffigan. We were immediately struck by how young he is (appears) and by the fact that he was an entertaining lecturer. He actually reminded me a bit of Doyle from this season of Gilmore Girls (very enthusiastic about his interests without being too overbearing or melodramatic).
At the conclusion of Gaffigan's lecture, we hiked up to our real seats, the primary reason we were so excited for this concert in the first place. You see, Davies Symphony Hall has terraces around the stage, typically used by the Symphony Chorus. But on nights without any vocal accompaniment, those seats are open to the public. Want to see?
Not only did we sit behind the symphony, we sat behind the symphony as it played a piece with, perhaps, one of the most sweeping, powerful opening volleys in all of classical music, Also sprach Zarathustra (Richard Strauss). Believe me, if you don't recognize it by name, you'll recognize it once you hear it.
I've never seen the tympani player hit those drums any harder than I did Saturday night, and I do believe he might have pulled a muscle in the process. :)
Also, Also sprach Zarathustra calls for the use of the organ, which at Davies is a towering mass of pipes behind the stage. Awesome, especially sitting at their base.
While AsZ closed the program, the first two pieces were equally good. The SF Symphony seems to really enjoy playing Aaron Copland's music (Michael Tilson Thomas did study under him at one point after all), and their performance of Copland's Short Symphony (1933) was excellent. Meanwhile, MTT's love of Gustav Mahler took center stage for the performance of Five Songs from Des Knaben Wunderhorn, which also was recorded for a CD.
For those of you who don't know, MTT and the SF Symphony have been recording all of Mahler's works. Last year, they won two Grammy Awards for a recording of Symphony No. 7. Brandy and I have now been present at three Mahler recordings, and odds are that if the SFS is playing Mahler, they'll be recording it.
So what can we take away from Date Night at the Symphony™?
- Indigo: Good
- Aubert Chardonnay: Excellent
- James Gaffigan: Interesting and funny
- San Francisco Symphony: Really Good
- Mahler Recordings: Good
- Also sprach Zarathustra: Awesome
- Also sprach Zarathustra from the terrace seats: Fucking Awesome